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All you need is Reason 6

Introducing Reason, version 6. The world's favorite music making platform is about to get a whole lot bigger, better, and…

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REASON 6 IN STOCK

Wij hebben onze nieuwe stock REASON 6 FULL binnen.
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Workshops @ MACBEURS 20 nov 2011

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Meer over ons op de MACBEURS

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All you need is Reason 6

Introducing Reason, version 6. The world's favorite music making platform is about to get a whole lot bigger, better, and ready for any idea you throw at it.

With version 6 Reason reclaims the spotlight. Combining all the features from Record, version 6 adds audio recording and editing into Reason, along with Propellerhead's acclaimed mixing console with masterfully modeled EQ and dynamics on every channel, multiple parallel racks, all the effects you know and love plus new ones to fall in love with, and much more of what you've always wanted in Reason.

In store September 30th, 2011

 

Mix in studio grade quality

The fully equipped mixing desk adds a big studio signal chain to all your sound sources. Every audio and instruments track has its own channel strip — the built-in EQ, dynamics and advanced routing will give your music that unmistakable million-dollar console sound. The “radio ready” master bus compressor gives your mixes that extra punch.

 

Pulveriser

Pulveriser puts crunchy compression, dirty distortion, a multimode filter and flexible modulation in a single, sound-crunching effect.

 

The Echo

The Echo is an advanced stereo echo bringing together the brilliance of modern delays with the organic sounds of analog circuitry and old-school tape machines. The Echo is equal parts pristine stereo delay, sound sculpturing toolbox, and playable performance effect.

 

Alligator

Alligator is a three band pattern-based gate effect that turns bland pads into rhythmic textures, radically twists your loops, and tweak boring beats into blockrocking breaks.

 

Neptune

New in the Reason rack is the Neptune pitch correction and voice synth device. Neptune turns your performances into pitch-perfect ones in no time. Simply play your new harmonies on your MIDI keyboard for instant backing vocals.

 

Audio recording

Capture your ideas with a minimum of mouse clicks and menu actions — version 6 introduces unlimited hard disk tracks and rock solid audio recording in Reason.

 

Time stretch & audio transpose

With our now legendary non-destructive time stretch, you can actually record first and pick your tempo later. And with the brand new audio transpose you can even record first and change the key later. Change the tempo of your song, and the audio follows right along. Non-destructively change the pitch with a mouse click.

 

Recording meter

The large Recording Meter overlay lets you tune your guitar and set the levels from across the room.

 

Line 6 guitar and bass amps

With the virtual guitar and bass PODs® from amp and cab simulation experts Line 6, Inc. you are never short of interesting tones and timbres.

 

Comp editor

As a perfect performance may be less than perfect from scratch, Reason 6 features our swift and easy to use comp editor. Building the ultimate vocal track is as simple as selecting the parts that work and muting the ones that don't. Exit the comp editor and listen to the results; a perfect take containing only the good parts.

 

Expert exporting

Want to move your song over to your DAW? In one single click, Reason will export your separate mixer channels as individual audio stems, with or without effects. Need just the effects? No problem.

 

More sounds

The included Factory Sound Bank has been expanded with thousands of new patches and loops for Reason's instruments, and hundreds of patches for the new Pulveriser, The Echo and Alligator effects. Finding your sound has never been easier.

Add to this a number of tweaks, workflow enhancements, technology advancements, 64-bit support, better ReWire handling through individual outs on every channel, and Reason’s new self-contained song file format, making collaboration easy.

 

Everything you've always wanted in Reason. Now in Reason 6.

 
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